The Temenos Chamber Choir, with the English Cornett and Sackbut Ensemble, present Polychoral masterpieces by Bach, Schutz and Schein, directed by Charles Vignoles.
Saturday 1st March 2014, 7:30pm
Following the huge success of their Gabrieli concert in 2012, Temenos and the superb English Cornett and Sackbut ensemble join forces once again to perform double choir masterpieces by Baroque genius Heinrich Schutz. The extraordinary 14-voice motet 'Saul, Saul' and the moving 'Nunc Dimittis' from the 'Deutsches Exequien' are perfectly suited to the lovely galleried interior of the church. At the heart of the programme will be Bach's majestic motet 'Komm Jesu, Komm'.
Tickets: £12.50 (£6 students) from 01959 523765, or visit Hall's Bookshop, or Sevenoaks Bookshop
www.temenos-chamberchoir.org.uk
Chamber music at Tunbridge Wells' most historic venue: the parish church of King Charles the Martyr
28.12.13
12.11.13
Series finale 2013
Sunday 24 November 5:30pm
King Charles' organist Michael Bacon ends his journey through the complete Bach organ music - over 300 pieces - with a short recital including the great Passacaglia in C minor.
This is a short recital of around 35 minutes.
Free admission: retiring collection towards the new fund for renovation of the church's Walker organ
Read on
See details of other concerts we have presented this series here
Information about concerts in 2014 will be available soon!
King Charles' organist Michael Bacon ends his journey through the complete Bach organ music - over 300 pieces - with a short recital including the great Passacaglia in C minor.
This is a short recital of around 35 minutes.
Free admission: retiring collection towards the new fund for renovation of the church's Walker organ
Read on
See details of other concerts we have presented this series here
Information about concerts in 2014 will be available soon!
28.10.13
Photos and programme from 26 Oct
Click here to download programme notes from the Stravinsky / Messiaen concert on 26 October
Many thanks to all the performers for a thrilling evening!
"It was wonderful to play the Messiaen in such a special setting, with such an attentive audience" (Tim Gill, cellist)
Audience comments: "Absolutely fantastic concert. Still buzzing from it all"; "we felt privileged to be able to attend such a performance, literally down the road from where we live"; "the best yet at King Charles, and so moving".
13.10.13
The Rite and the End of Time
On Saturday 26 October, at 7:30pm, we provide a rare opportunity to hear two of the most famous and ground-breaking works of the Twentieth Century. This is a concert that has to be experienced!
Stravinsky's Rite of Spring for piano duet, played by Anthony Zerpa-Falcon and Jong-Gyung Park
Messiaen's Quartet for the End of Time played by Thomas Bowes (violin), Tim Lines (clarinet), Eleanor Alberga (piano) and Tim Gill (cello).
Read more about this concert here.
Read more about this concert here.
"The phenomenon of music is given to us with the sole purpose of establishing an order in things, including, and particularly, the co-ordination between man and time." Igor Stravinsky
Tickets: £15 (£12.50 in advance, from Hall's Bookshop or by emailing kcmconcerts@blueyonder.co.uk). No charge for under-18s.
The venue: King Charles the Martyr church is in the heart of the old town in Tunbridge Wells, post code TN1 1YX.
Bach Organ Finale
Sunday 24 November 5:30pm
King Charles' organist Michael Bacon ends his journey through the complete Bach organ music - over 300 pieces - with a short recital including the great Passacaglia in C minor.
This is a short recital of around 35 minutes.
Free admission: retiring collection towards the new fund for renovation of the church's Walker organ
Michael Bacon writes:
"At the beginning of 2006, inspired by my work on Radio 3’s week-long broadcast of the complete works of Bach, I decided to play all his organ music. Why? Because it is the most incredible collection of pieces in the repertoire, not only for the organ, but any instrument. 300 works in all, filling between 19 and 22 CDs, depending on the player.
I have written before of my passion for Bach’s music – not only is it hugely inspired, written with a level of mathematical skill which is comparable to the most complex nuclear physics, it is full of joy and humanity. If you think it is dry, or dull, blame the performer. In fact, that’s why, until that point, I’d avoided playing Bach, knowing I’m not worthy of it. Discussing it with a friend, he said that it was a silly reason not to get to know, close up, some of the very greatest art. So, I took up the challenge, giving myself 10 years to play every piece, in public.
Almost all of this has been at KCM, and I’ve tried to play music appropriate for the liturgical season, and the mood of the occasion. Every single one has needed at least a few days’ work – some several weeks, so I’m glad I gave myself a decade to do it. I’d always planned to finish with the great Passacaglia and Fugue and that is what I’m going to do, just over two years before my deadline.
It’s been wonderful to do, getting to know many pieces that I’m not sure I’d even heard of. The music is so complete, and I enjoyed the challenge of the Trio Sonatas (three independent lines, one for each hand and one for the feet, like three friends playing together)so much that I have (almost) kept my 2013 New Year’s Resolution to play one every day.
I still don’t think I’m worthy, but I do think I’m a better player because of the discipline of having to keep everything clear and controlled. I’ve also been grateful for the interest and support shown by members of the congregation, friends, and colleagues at work and I hope that some of you will be able to share the end of this journey by coming along on 24 November. Admission free. What am I going to do next? No question – do it all again."
King Charles' organist Michael Bacon ends his journey through the complete Bach organ music - over 300 pieces - with a short recital including the great Passacaglia in C minor.
This is a short recital of around 35 minutes.
Free admission: retiring collection towards the new fund for renovation of the church's Walker organ
Michael Bacon writes:
"At the beginning of 2006, inspired by my work on Radio 3’s week-long broadcast of the complete works of Bach, I decided to play all his organ music. Why? Because it is the most incredible collection of pieces in the repertoire, not only for the organ, but any instrument. 300 works in all, filling between 19 and 22 CDs, depending on the player.
I have written before of my passion for Bach’s music – not only is it hugely inspired, written with a level of mathematical skill which is comparable to the most complex nuclear physics, it is full of joy and humanity. If you think it is dry, or dull, blame the performer. In fact, that’s why, until that point, I’d avoided playing Bach, knowing I’m not worthy of it. Discussing it with a friend, he said that it was a silly reason not to get to know, close up, some of the very greatest art. So, I took up the challenge, giving myself 10 years to play every piece, in public.
Almost all of this has been at KCM, and I’ve tried to play music appropriate for the liturgical season, and the mood of the occasion. Every single one has needed at least a few days’ work – some several weeks, so I’m glad I gave myself a decade to do it. I’d always planned to finish with the great Passacaglia and Fugue and that is what I’m going to do, just over two years before my deadline.
It’s been wonderful to do, getting to know many pieces that I’m not sure I’d even heard of. The music is so complete, and I enjoyed the challenge of the Trio Sonatas (three independent lines, one for each hand and one for the feet, like three friends playing together)so much that I have (almost) kept my 2013 New Year’s Resolution to play one every day.
I still don’t think I’m worthy, but I do think I’m a better player because of the discipline of having to keep everything clear and controlled. I’ve also been grateful for the interest and support shown by members of the congregation, friends, and colleagues at work and I hope that some of you will be able to share the end of this journey by coming along on 24 November. Admission free. What am I going to do next? No question – do it all again."
25.8.13
Autumn 2013 season
Booking for concerts this season is now open. There's a distinct 20th century flavour to the series, as we celebrate a number of anniversaries. Follow the links for more information. To book tickets, email kcmconcerts@blueyonder.co.uk or pop in to Hall's Bookshop on Chapel Place.
Saturday 7 September, 7:30pm Celebration Organ concert to celebrate the church organ’s 75th anniversary.
Sunday 15 September, 3:30pm Babar and the Animal Kingdom - with BBC Radio presenters Peter Barker (narrator) and Paul Guinery (piano)
Saturday 12 October, 7:30pm Rejoice in the Lamb - a Britten anniversary celebration
Saturday 26 October, 7:30pm Messiaen and Stravinsky: The Rite of Spring for piano duet, played by Anthony Zerpa-Falcon and Jong-Gyung Park Messiaen's Quartet for the End of Time played by Thomas Bowes (violin), Tim Lines (clarinet), Eleanor Alberga (piano) and Tim Gill (cello).
Sunday 24 November, 5:30pm Organ recital, by Michael Bacon.
Music at King Charles is currently not supported by any grants or sponsorship. Your support by attending these concerts and telling others about them is warmly appreciated.
17.8.13
Messiaen and Stravinsky
Stravinsky's Rite of Spring for piano duet, played by Anthony Zerpa-Falcon and Jong-Gyung Park
Messiaen's Quartet for the End of Time played by Thomas Bowes (violin), Tim Lines (clarinet), Eleanor Alberga (piano) and Tim Gill (cello). (Tim Gill plays an extract from the Messiaen in this BBC clip.)
As well as being one of the most ambitious programmes put together by Music at King Charles, this is a rare and exciting opportunity to hear two of the most famous and influential works of the last hundred years. While the first performance of Stravinsky's ballet famously started a riot at its first performance, in Paris, Messiaen recalled that at the first performance of the Quartet, "never was I listened to with such rapt attention and comprehension". The circumstances of these two events could hardly have been more different, however. While Stravinsky's work was provocative for a wealthy Parisian audience at the Opera, Messiaen's work was first heard by his fellow prisoners at Stalag VIII-A, the Nazi concentration camp where it was composed.
Messian writes that the Quartet was inspired by words from the Book or Revelation: And I saw another mighty angel come down from heaven, clothed with a cloud: and a rainbow was upon his head, and his face was as it were the sun, and his feet as pillars of fire ... and he set his right foot upon the sea, and his left foot on the earth .... And the angel which I saw stand upon the sea and upon the earth lifted up his hand to heaven, and sware by him that liveth for ever and ever ... that there should be time no longer: But in the days of the voice of the seventh angel, when he shall begin to sound, the mystery of God should be finished ....
Tickets: £15 (£12.50 in advance, from Hall's Bookshop or by emailing kcmconcerts@blueyonder.co.uk). No charge for under-18s.
The venue: King Charles the Martyr church is in the heart of the old town in Tunbridge Wells, post code TN1 1YX.
11.8.13
Babar and the Animal Kingdom
Well known to listeners of BBC Radio, announcers Peter Barker and Paul Guinery team up to present an afternoon of music and readings based around "Babar the Elephant" by French composer Francis Poulenc.
Their witty and sophisticated afternoon programme will appeal to all ages (this is not a children's concert, though surely children will enjoy it). As there is no charge for under-18s, maybe it's something you would like to come to as a family? Tea will be provided after the concert, which should last for about 80 minutes.
Tickets cost £12 on the door, but may be purchased in advance from Hall's Bookshop or by email from kcmconcerts@blueyonder.co.uk for just £10 (and remember that there is no charge for under-18s at any of our concerts).
Paul Guinery writes: Francis Poulenc is one of the most approachable and engaging of all the great 20th century French composers. He was an excellent pianist and the instrument features a great deal in his works, not only in solos and concertos but also in a remarkable repertoire of songs. His output was large and varied, including chamber music featuring wind instruments in particular; music for the theatre, in the form of incidental music as well as several operas; and choral music such as his popular setting of the Gloria.
Poulenc’s temperament was distinctly two-sided: on the one hand, there was the gregarious and genial bon viveur, delighting in all that Paris had to offer in the way of entertainment; on the other, the anxious melancholic whose love-life was often troubled and frustrating. His music is modern in style but, apart from some very early works, always tonal and often full of a sensual warmth and humanity.
The musical ‘illustrations’ for Jean de Brunhoff’s book, a children’s classic in France, were originally just improvised for young friends and relatives. Fortunately for posterity, Poulenc wrote them down in 1945 so that we can now share his enchanting vision, never sentimentalized, of the orphaned Babar who discovers the delights of being an elephant-about-town, but ultimately finds fulfilment back in the forest where he grew up.
Babar will be joined later by other members of the animal kindom, evoked through a selection of words and music, and this afternoon’s performers will introduce those items individually.
PETER BARKER At the age of eight somebody thought Peter’s voice was worth training and he spent his early years as a member of a cathedral choir. Afterwards, two years at RADA led to a career as an actor in repertory and touring theatre companies. A chance opportunity to join the BBC resulted in his becoming one of the daily voices of Radio 3, with the job of introducing all kinds of music, both from discs and live from studios and concert halls all over the world. For some years announcers were encouraged to fill gaps between programmes with readings of poetry and prose of their own choosing. This gave Peter the chance to develop and communicate to his audiences his love of literature. And this is what has been at the forefront of his collaboration with Paul Guinery, whom he met while they were both at Radio 3. Following the success of their first interpretation of Babar, they were encouraged to seek out other members of the animal kingdom and to put together the programme we are to hear today.
PAUL GUINERY Paul Guinery studied the piano at the Royal College of Music where he was awarded an ARCM; he went on to read for a degree in Modern Languages at Oxford. Paul has worked extensively with the wind quintet Harmoniemusik, which runs its own festival each summer in St.Columb, Cornwall, where he’s performed chamber music of all sorts, as well as piano concertos by Bach and Mozart. The group has issued a CD of music for piano and wind and plays regularly in London at city churches, the Art Workers’ Guild and Conway Hall, and has toured in the UK and abroad, including three visits to the Oloron Festival in France. Paul gives occasional solo recitals, and has recorded CDs of music by Rachmaninov, and by 20th century English composers. He’s also been musical director for Gilbert & Sullivan operettas; has played for cabaret at the Savoy Hotel in London; and in currently working on a book about the composer Frederick Delius, for publication next year. Like Peter, he was a staff announcer for Radio 3, and can still be heard on air as a newsreader.
Rejoice in the Lamb: Britten Celebration
Saturday 12 October, 7:30pm
A varied programme presented by The King Charles Singers and others, celebrating the centenary of the birth of Benjamin Britten, featuring the well-known anthem Rejoice in the Lamb, which is based on the poem Jubilate Agno by Christopher Smart (1722-1771).
As well as music by Britten, there will be works by other English composers, with a combination of choir, soloists and instrumentalists. Among other pieces, we are delighted to welcome harpist Ellen Smith, accompanying extacts from Britten's Ceremony of Carols.
Tickets are £12 on the door, but just £10 if purchased in advance, from Hall's Bookshop or by emailing kcmconcerts@blueyonder.co.uk.
A varied programme presented by The King Charles Singers and others, celebrating the centenary of the birth of Benjamin Britten, featuring the well-known anthem Rejoice in the Lamb, which is based on the poem Jubilate Agno by Christopher Smart (1722-1771).
As well as music by Britten, there will be works by other English composers, with a combination of choir, soloists and instrumentalists. Among other pieces, we are delighted to welcome harpist Ellen Smith, accompanying extacts from Britten's Ceremony of Carols.
Tickets are £12 on the door, but just £10 if purchased in advance, from Hall's Bookshop or by emailing kcmconcerts@blueyonder.co.uk.
12.7.13
Celebration Organ Concert
Saturday 7 September 7:30pm
Past and present Organists from the church celebate the exact 75th anniversary of the dedication of the magnificent Walker organ.
Michael Bacon, Robin Hepburn, Paul Jeffery, David Maw and Jonathan Roberts will play some of the music played in some of the 'opening concerts' in the history of the organ - 1862, 1909, 1938 and 1987. Leon Boellmann's Gothic Suite and Cesar Franck's 3rd Chorale sit alongside music by Handel, Whitlock and Walton.
This concert launches a major fund-raising campaign to prepare for essential repair work to the organ. Further information about the campaign and the work required is available from the Parish Office and enquiries are very welcome.
Admission free: retiring collection for the organ fund.
Past and present Organists from the church celebate the exact 75th anniversary of the dedication of the magnificent Walker organ.
Michael Bacon, Robin Hepburn, Paul Jeffery, David Maw and Jonathan Roberts will play some of the music played in some of the 'opening concerts' in the history of the organ - 1862, 1909, 1938 and 1987. Leon Boellmann's Gothic Suite and Cesar Franck's 3rd Chorale sit alongside music by Handel, Whitlock and Walton.
This concert launches a major fund-raising campaign to prepare for essential repair work to the organ. Further information about the campaign and the work required is available from the Parish Office and enquiries are very welcome.
Admission free: retiring collection for the organ fund.
20.5.13
Autumn series 2013 - advance notice
Here are some dates for your diaries. These are some of the concerts being planned for this Autumn. Plenty to look forward to, and more to come!
Saturday 7 September, 7:30pm Organ concert to celebrate the church organ’s 75th anniversary, with Michael Bacon
Sunday 15 September, 3:30pm Poulenc’s Babar The Elephant BBC Radio presenters Peter Barker (narrator) and Paul Guinery (piano) team up for an afternoon of musical stories.
Saturday 26 October, 7:30pm Stravinsky's Rite of Spring for piano duet, played by Anthony Zerpa-Falcon and Jong-Gyung Park Messiaen's Quartet for the End of Time played by Thomas Bowes (violin), Tim Lines (clarinet), Eleanor Alberga (piano) and Tim Gill (cello). (Tim Gill plays an extract from the Messiaen in this BBC clip.)
Sunday 24 November, 5:30pm Organ recital, by Michael Bacon.
Email kcmconcerts@blueyonder.co.uk to be placed on our mailing list for further notifications.
Saturday 7 September, 7:30pm Organ concert to celebrate the church organ’s 75th anniversary, with Michael Bacon
Sunday 15 September, 3:30pm Poulenc’s Babar The Elephant BBC Radio presenters Peter Barker (narrator) and Paul Guinery (piano) team up for an afternoon of musical stories.
Saturday 26 October, 7:30pm Stravinsky's Rite of Spring for piano duet, played by Anthony Zerpa-Falcon and Jong-Gyung Park Messiaen's Quartet for the End of Time played by Thomas Bowes (violin), Tim Lines (clarinet), Eleanor Alberga (piano) and Tim Gill (cello). (Tim Gill plays an extract from the Messiaen in this BBC clip.)
Sunday 24 November, 5:30pm Organ recital, by Michael Bacon.
Email kcmconcerts@blueyonder.co.uk to be placed on our mailing list for further notifications.
1.5.13
A Night at the Opera
The Magic of Mozart
Songs and scenes from Mozart’s most celebrated operas will guarantee a night to remember. Music at King Charles offers sequences and complete scenes from Don Giovanni, The Magic Flute and The Magic of Figaro, brought to life by the vocal talents of Kate Semmens and Giles Davies with the piano accompaniment of Anthony Zerpa-Falcon: All for less than the price of a train ticket to London.
Soprano Kate Semmens from Marden is a soloist with many leading groups and opera companies, and sings with some of the UK's finest choirs. "The clarity and charm of Kate Semmens' soprano was disarming," said Opera Magazine.
Giles Davies studied at the Purcell School of Music and has since performed and recorded a huge variety of leading roles in choral and operatic works to critical acclaim. Much in demand on stage and screen for his characterful performances, beautiful tone and diction, Giles relishes any opportunity to perform Mozart’s operas.
International prize-winning Pianist Anthony Zerpa-Falcon has performed with, among others, the BBC Concert Orchestra and the Liverpool Philharmonic, and has played venues from the Wigmore Hall in London to the Accademia Giuseppe Verdi in Milan, the Palau de la Música Catalana in Barcelona, the Auditorio Nacional in Madrid, and even the Concert Hall of the Forbidden City in Beijing. He is accompanist for the Tunbridge Wells Choral Society.
Tickets: £10 in advance (£12.50 on the door) from Hall's Bookshop or email kcmconcerts@blueyonder.co.uk
20.4.13
Spring Organ Recital Series
The King Charles organ is 75 years old in 2013, and one of the most exciting instruments to play and listen to in Tunbridge Wells. Hear it put through its paces in three short concerts on Sunday afternoons. Each performance is around 40 minutes, and takes place before the evening service. There is no admission fee, just a retiring collection.
Sunday 28 April, 17:30
Michael Bacon
Sunday 26 May, 17:30
Christopher Joyce
Sunday 30 June, 17:30
James Orford
Sunday 28 April, 17:30
Michael Bacon
Sunday 26 May, 17:30
Christopher Joyce
Sunday 30 June, 17:30
James Orford
1.4.13
Two concerts for Spring
Saturday 13 April, 7:30pm
The Pentagon String Ensemble is a group of musicians who have held Principal positions in some of the country's leading orchestras including the Royal Philharmonic Orchestra and Northern Sinfonia. They have performed chamber music together for many years at venues and festivals around the UK and abroad. The programme includes music by Schubert, Mozart, Sibelius, Howard Blake and Beethoven. More information.
Tickets: £10 in advance (£12 on the door) from Hall's Bookshop or email kcmconcerts@blueyonder.co.uk
Saturday 18 May, 7:30pm
A Night at the Opera. Soprano Kate Semmens and baritone Giles Davies present “The Magic of Mozart”, with accompanist Anthony Zerpa-Falcon. This imaginative programme includes a sequences and complete scenes from Don Giovanni, The Magic Flute and The Marriage of Figaro.
Tickets: £10 in advance (£12.50 on the door) from Hall's Bookshop or email kcmconcerts@blueyonder.co.uk
The Pentagon String Ensemble is a group of musicians who have held Principal positions in some of the country's leading orchestras including the Royal Philharmonic Orchestra and Northern Sinfonia. They have performed chamber music together for many years at venues and festivals around the UK and abroad. The programme includes music by Schubert, Mozart, Sibelius, Howard Blake and Beethoven. More information.
Tickets: £10 in advance (£12 on the door) from Hall's Bookshop or email kcmconcerts@blueyonder.co.uk
Saturday 18 May, 7:30pm
A Night at the Opera. Soprano Kate Semmens and baritone Giles Davies present “The Magic of Mozart”, with accompanist Anthony Zerpa-Falcon. This imaginative programme includes a sequences and complete scenes from Don Giovanni, The Magic Flute and The Marriage of Figaro.
Tickets: £10 in advance (£12.50 on the door) from Hall's Bookshop or email kcmconcerts@blueyonder.co.uk
20.2.13
The Sound and Fury
Anyone who is enjoying the current BBC Four programmes about 20th Century music might be interested to know that plans afoot for a significant series of concerts in Autumn 2013 at King Charles.
We are hoping to present the music of Poulenc, Britten, Stravinsky and Messiaen in three concerts, starting in September. Keep an eye on this site for more news! In the meantime, sit back and enjoy three minutes of eternity with this extract from Messiaen's Quartet for the End of Time.
3.2.13
Pentagon String Ensemble
Saturday 13 April, 7:30pm
Announcing details of the next concert in 2013.
The Pentagon String Ensemble are a group of musicians who have held Principal positions in some of the country's leading orchestras including the Royal Philharmonic Orchestra and Northern Sinfonia. They have performed chamber music together for many years at venues and festivals around the UK and abroad.
Patrick Savage - violin
Martin Bloor - viola
Rachel Threlfall - cello
Programme
F. Schubert String Trio in Bb D.471 (Trio in One Movement)
W.A. Mozart Preludes & Fugues after J.S. Bach K404a
Sibelius Suite in A Major (1889)
Howard Blake String Trio
Beethoven String Trio Op.9 No1 in G
W.A. Mozart Preludes & Fugues after J.S. Bach K404a
Sibelius Suite in A Major (1889)
Howard Blake String Trio
Beethoven String Trio Op.9 No1 in G
Tickets will be available from kcmconcerts@blueyonder.co.uk
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