Handel's Messiah: a repeat of an unforgettable evening

Saturday 4 December, 7:00pm

The standing ovation at the end of Handel's Messiah, when we performed it in the church under the direction of Steven Devine three years ago, remains one of the most electrifying moments we've experienced at Music at King Charles. And when Steven asked the players and singers to come and do it again, they all agreed immediately. 

Now, after the pandemic's interruption, it's back.

This is a small-scale performance, with about 14 players and 16 singers, perfectly suited to the size of the building. It's intimate and full of energy, with a narrative drive that's gripping and authentic. 

Please buy tickets early to avoid disappointment! Available from ticketsource.co.uk/mkctw

Michael McHale piano recital - change of time

We're thrilled to host a lunchtime recital by Wigmore Hall artist Michael McHale on Saturday 23 October.

Please note that the start time has changed to 12:40pm. Doors open 12:30.

Expected duration: one hour.

Ticket information.

Michael McHale is one of the most impressive rising-star talents in the music world. Whether he is performing at Wigmore Hall or at the BBC Proms or around the UK and Ireland or in Suntory Hall, Tokyo or across USA concert halls, Michael’s beautiful playing has a heart-warming quality that has touched his many worldwide admirers. His one hour recital will encompass music by Beethoven (Sonata in C minor op.13 “Pathetique”, Debussy (Estampes 11. La Soiree dans Grenade; Jardins sous la pluie), Field (Nocturne N0.10 in E minor; Nocturne No.5 in B flat), Chopin (Nocturne in E flat op.9 no.2), Liszt (Rigoletto “paraphrase de concert”). So, whether shopping, visiting or heading to lunch in RTW, do take in this one hour musical “tour de force” and head away with a spring in your step!

Chelys Viol Consort: music made for King Charles

The Chelys Consort

Saturday 16 October, 7pm

Come and hear music that was made for this venue, the 17th century church of King Charles the Martyr. The music is as exquisute and elegant as the architecture. And it's the kind of music that would have been very familiar to King Charles himself, as well as the people who frequented the walks to take the water in the early days of Tunbridge Wells.

Ticket information here

Ibrahim Aziz, Alison Kinder – treble viols
Kate Conway, Sam Stadlen – tenor viols
Harry Buckoke, Jenny Bullock – bass viols

Ibrahim writes: "This concert explores the repertory for a ‘chest of viols’, which was a term used in the 16th and 17th centuries in England to denote either a consort of six viols, or a cabinet specially made for them. Thomas Mace, in his Musick’s Monument (1676) wrote that “a good chest of viols” should contain “2 Basses, 2 Tenors, 2 Trebles, all truly proportionally suited”. Our programme tonight showcases the repertoire that might have been played in a 17th century English household fortunate enough to afford such a collection of instruments, players and music."

Ticket information here

Described by Gramophone as having released 'unquestionably the most beautiful recording of the Lachrimae', Chelys have garnered a reputation for their faithful yet fresh interpretations of the consort repertoire. They take their name from an ancient Greek word which referred to a bowed lyre, said to have been invented by the god Hermes. The word was borrowed by the English violist Christopher Simpson on the title page of his treatise 'The Division Viol' when he translated the work into Latin.